![]() Koch Scientist in Charge of the Department of Scientific Research at The Metropolitan Museum of Art. He would also like to thank all co-authors and collaborators in the labs and in the field for the chance to participate in such exciting studies. ![]() and the Rock Art studies programme at the Centre of Accelerator Science at ANSTO acknowledge the financial support through the Australian National Collaborative Research Infrastructure Strategy and Rock Art Australia Foundation, as well as the help of the radiocarbon laboratory staff. would like to thank all co-authors and researchers she had the opportunity to collaborate with in the field of multidisciplinary cultural heritage studies, for the fruitful collaborations and exchanges. is indebted to all the conservators and students who enthusiastically contributed to the development of the field, and acknowledges the European Commission for its financial support of this exotic research field. Cheung for developing the 2-μm OCT, University of Southampton colleagues Andrew Clarkson, Masaki Tokurakawa and Jae Daniel for developing broadband lasers at 2 microns and funding from the following: Leverhulme Trust Research Grant (F01 374F) UK Arts and Humanities Research Council and Engineering and Physical Sciences Research Council (AHRC/EPSRC AH/H032665/1) UK Arts and Humanities Research Council (AHRC CDP/National Gallery AH/R00174X/1) UK Arts and Humanities Research Council (AHRC CDP/British Museum AH/R001413/1) UK Arts and Humanities Research Council and Engineering and Physical Sciences Research Council (AHRC/EPSRC/English Heritage CDA08/429) UK Engineering and Physical Sciences Research Council (EPSRC/National Gallery CASE/CAN/04/90/). gratefully acknowledges collaborations with scientists, conservators and curators in various museums, galleries and other heritage organizations, contributions made by past and present staff and students of the ISAAC lab on OCT for art research in general, and, in particular, C. would like to express sincere gratitude to the staff of the museums, especially conservators, for their cooperation and for their comments, which have been essential for the interpretation of the data. Smith II at Columbia University for his insights into the use and meaning of colour in Japan, John Delaney at the National Gallery of Art for his help with hyperspectral imaging, John Twilley for teaching me everything I know about art analysis but certainly not everything he knows, the late John Winter at the Freer Gallery of Art for introducing me to the study of Japanese art and the late Richard Ernst for countless discussions on art and science, and for waiting patiently, after I explained Fourier transforms to him, before telling me about his research on Fourier transform NMR, and that he was given a prize in Stockholm for that work”. makes the following acknowledgements: “I’d like to acknowledge Henry D. Neutrons for cultural heritage - techniques, sensors, and detection. Ultra-high resolution Fourier domain optical coherence tomography for old master paintings. Radiocarbon age constraints for a Pleistocene–Holocene transition rock art style: The Northern Running Figures of the East Alligator River region, western Arnhem Land, Australia. Ages for Australia’s oldest rock paintings. Conventionally heated microfurnace for the graphitization of microgram-sized carbon samples. Egyptian grave goods of Kha and Merit studied by neutron and gamma techniques. (eds) Neutron Methods for Archaeology and Cultural Heritage (Springer, 2016).įesta, G. Twin-chain polymer hydrogels based on poly(vinyl alcohol) as new advanced tool for the cleaning of modern and contemporary art. Restoration of paper artworks with microemulsions confined in hydrogels for safe and efficient removal of adhesive tapes. A non-invasive investigation of Egyptian faience using long wavelength optical coherence tomography (OCT) at 2 μm. High resolution Fourier domain optical coherence tomography in the 2 μm wavelength range using a broadband supercontinuum source. THz Technology Applied to Cultural Heritage in Practice (Springer, 2016).Ĭheung, C. Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering. in Hokusai and His Age: Ukiyo-e Painting, Printmaking, and Book Illustration in Late Edo Japan (ed.
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